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| A Story of Race, Resilience and Justice |
When I found out we were watching
In the Heat of the Night in class, I was excited purely because I love murder mysteries. I expected to enjoy the suspense, the clues and the detective work. But the movie quickly showed me that it was about so much more than just solving a murder. What really made this film powerful was how honestly it reflected the struggles of Black people living under
Jim Crow how they had to fight for every right, every ounce of respect and every chance to prove themselves in a society that constantly doubted them. The film doesn’t dramatize these struggles instead, it places them quietly and uncomfortably into nearly every scene, making the story feel incredibly real.
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| A Daily Reality of the Jim Crow Era |
The Jim Crow Era Through Tibbs Eyes
The film follows Virgil Tibbs a Black homicide detective from Philadelphia who becomes involved in a murder investigation in a small Mississippi town after being wrongfully arrested at the train station. This moment showed me immediately how deeply racism was ingrained Tibbs didn’t do anything suspicious, yet his skin colour alone was enough to make him a suspect.
Even after Tibbs is identified as a detective, the officers hesitate to believe him. What stood out to me most was how he handled it. Instead of being reactive, he stays composed and intelligent, using his expertise to gain respect in a town determined not to give it to him. Throughout the film, Tibbs has to be more accurate, more professional and more controlled than anyone else simply to be treated as human. To me, this reflects exactly what Black Americans faced at the time: the pressure to be “perfect” just to survive.
Tibbs and Gillespie: A Slow Shift Toward Respect
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| Tibbs Standing His Ground |
One of the strongest parts of the film is the evolving relationship between Tibbs and Police Chief Gillespie. At the beginning, Gillespie treats Tibbs with open prejudice. He doubts him, talks down to him and even seems threatened by his intelligence. But as Tibbs continues to prove himself solving clues the local officers overlook and exposing mistakes in the investigation Gillespie begins to change.
It’s not a dramatic transformation, but a gradual recognition that Tibbs is not just capable but essential. I appreciated how realistic this shift felt. Gillespie doesn’t suddenly stop being biased he just learns, slowly, to respect Tibbs based on who he is, not what he looks like. For the time period, even this small shift symbolised progress proof that change however slow, was possible.
The Portrayal of Women in the Film
While the main storyline focuses on race, the movie also highlights how women in the 1960s faced their own forms of inequality. Each female character reveals a different place within the social hierarchy, yet all share the common experience of being limited by gender.
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| Mrs. Colbert: Power Without Autonomy |
Mrs. Leslie ColbertMrs. Colbert, wealthy and white, appears at first glance to be the most powerful woman in the film but watching her, I realised how misleading that image really is. Even with her social standing, she has almost no control over what happens after her husband’s death. She isn’t allowed to participate in the investigation and she can’t demand justice directly. Instead, she relies on her financial influence to keep Tibbs on the case. To me, this really highlighted how even the most privileged women in the 1960s lived within strict limits. Mrs. Colbert may look strong from the outside, but her power is entirely dependent on how much the men around her are willing to listen. I found myself frustrated for her, because she clearly wanted answers yet had to fight for them in such an indirect way.
Delores Purdy
Delores represents the complete opposite of Mrs. Colbert and I found her storyline the most unsettling. She is poor, unprotected, and constantly judged by the people around her. The way the men view her as someone sexual and disposable made me uncomfortable, because it showed how little value was placed on women who didn’t fit society’s expectations. I couldn’t help but feel sympathy for her. She didn’t have the luxury of choice everything she did seemed tied to basic survival. And when she became tangled in the investigation, instead of receiving support, she was treated like a problem or a distraction. Watching her made me realise how deeply class and gender could trap a woman, even when she was technically “privileged” by race. Her vulnerability didn’t give her freedom it made her a target.
Mama Caleba
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| Mama Caleba Quiet Strength in a Hostile World |
Mama Caleba was the woman who stuck with me the most. Even though her screen time was short, her presence felt incredibly strong. As a Black woman in the
Jim Crow South, she faced both
racial and gender discrimination, which should have made her nearly powerless but somehow she carries herself with more authority than almost anyone else in the film. I admired her immediately. She runs a business, commands respect and navigates every interaction with a quiet intelligence that only comes from fighting through a lifetime of obstacles.
What impressed me most was how she interacts with Tibbs. She doesn’t see him as a threat or an outsiders he sees him as someone worth helping, but on her own terms. I felt like she represented a type of strength the film doesn’t show anywhere else. The strength of someone who has survived without protection from society, without status and without privilege. Her character reminded me how much resilience black women needed just to exist in that era and I found myself wishing the film showed even more of her story.
Final Thoughts
Overall, I think In the Heat of the Night did a phenomenal job portraying the struggles that Black people faced and the constant fight they endured for even basic rights. It also shed light on how women regardless of race were limited in different but very real ways. Even though the film is historical, it never felt slow or boring. The tension the evolving relationships and the underlying social commentary kept me engaged the whole time.